One of the things that impressed me the most about Patrick Creadon's I.O.U.S.A. was the graphic design work from his collaborator Brian Oakes. I'd previously linked to an interview with Oakes over at Design Observer, which is a fascinating look at the process of designing "information graphics" for documentary films. An excerpt:
"When you are dealing with many graphic sequences that are popping up throughout the film, it is very important to connect all of those sequences visually. The graphics should become a character of the story. Once the overall visual vocabulary for a film is established, the information you are presenting becomes much more digestible and you’re not asking the viewer to “switch visual gears” every time a graphic comes on screen. You also get a film with higher production value and one that looks much more polished...
Here's a sampling of the work that Oakes did for I.O.U.S.A.:
It's puzzling that "I.O.U.S.A." is being considered for such a high honor when it does such a poor job of investigating the issue. The film is great fodder for libertarians and deficit hawks, but it completely ignores one of the most powerful solutions to the long-term deficit: health care reform. If our health care system were anywhere near as efficient as other industrialized nations, then our deficit would disappear in the long-term. Also, at a time when our economy needs a big (deficit-expanding) stimulus to prevent a deepening recession, I.O.U.S.A. will also have the misfortune of bad timing.
Posted by: Matt Sherman | December 09, 2008 at 08:50 AM